Dunkirk: No escape from sublimity

Just when I thought that after giving us The Dark Knight and Interstellar, Christopher Nolan has added another masterful piece of work to his record. Stepping out of his usual intricate film forte, he delivers another opus in Dunkirk, which he also wrote and co-produced with wife and long-time collaborator Emma Thomas. Based on real events, Dunkirk is set in the midst of the World War II as the men involved set out for one thing that seems impossible– survival. The film follows three narratives – the mole, the sea, and the air – which encompass different time lengths, composed of British soldiers stuck on Dunkirk beach, fighter pilots who come to ensure their safety, and three brave men who want to help in the adverse escape.

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Christopher Nolan and the Neo-Noir

Christopher Nolan has been a growing figure in the film industry since the turn of the century. With iconic films such as Memento (2000), Insomnia (2002), Inception (2010), and The Dark Knight trilogy, Nolan has established himself as an expert in noir films, often encapsulating themes of philosophy, mentality, temporality, and delving into modern thrillers. This following focuses on how Nolan transpired the neo-noir genre, while incorporating aspects recognizable among all his films.

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